Defiant Sloth

Chris Person’s essay on Death Stranding 2 resonates.

The last four hours of Death Stranding 2 are some of the most absurd spectacle the man has ever been associated with. Kojima is constantly mugging at the camera through his characters, leaving silly, obvious references to his previous games as if to suggest that even he thinks it’s a bit absurd. Inhabiting the space often feels more like you are inhabiting Kojima’s instagram feed, like he’s gotten all the actors and directors that he personally enjoys together, put them in his weird little scanner, and he’s smashing them together like little action figures


You would have thought pristine wilderness in North American could weather pollutants better than developed areas, but even the Boundary Waters Canoe Area Wilderness has reported high mercury levels despite MN cutting emissions by two-thirds over the last two decades, imperiling freshwater fishing.


Passed by this stack of fallen trees, sliced up by the city, on my morning run. We’ve been getting some wild weather this summer.

A pile of freshly cut logs of varying sizes is stacked together.

The Internet is in a Recalibration Era

A few pieces going around about “Google Zero” — essentially, the estimation that in the very near-future, we are going to see a complete re-tweaking of Google’s heretofore stalwart search enterprise into something akin to ChatGPT (which is already happening), which will catalyze an immense drop-off in search traffic to websites large and small.

I’d like to think Micro.blog’s Manton Reece’s positive perspective — that the Internet will survive this — is prescient, but I’m not so sure. I’m no longer as connected closely to the business of search, but I have to imagine a drop-off in inbound organic traffic is happening widely across the Internet. As are Internet users’ behaviors and expectations of interaction with platforms. Time is money, and everyone has a short attention. Give me the answer, point me to the thing, shortcut my ability to buy. The funnel is a truncated version of awareness-intent-buy.

But what Manton is right about is the need to “to build a relationship with readers”, or whoever interacts with your content, services, and commerce. Loyalty is as important a king as the content itself. I can’t predict how search engines and browsers are going to mutate in the next 2-3 years, but they’re going to, and reaching the depths of the Internet are going to become more difficult. But just as there’s been a swell of interest in analog/old school technology like record players, disc-based media, retro game consoles, and tabletop games, so too, I’d wager, there will be an interest in old fashioned digital discovery, or at the very least, a platform that brings together a federated open web in a dissimilar but modern counterpoint to search engines of yore. Perhaps think Usenet interactivity (through specialized browsers or apps), but in 2025.

Substack, Medium, Ghost, Microblog, Wordpress, etc. are already manifesting this kind of environment. But newsletter or blog-first websites can have one thing in common: a loyal audience, sometimes willing to pay (if available), and/or otherwise willing to return consistently to engage. Same goes for a retailer or boutique storefront, a doctor’s office, a home maintenance service, an airline, a restaurant, a destination. There is more awareness of brands, niches, and products than ever before, and advertising/content creation still works exceptionally well in the media environments across social and algorithmic platforms. So it is still quite possible to build classical awareness, but every touchpoint in the experience thereafter is critical in maintaining interest and earning loyalty to keep that connection strong, as there are so many derailments and distractions that can severe attention. Attaining and retaining loyalty is the important facet of a users’ ongoing engagement with an entity, no matter who or what you represent, insofar as you’ve been discovered.

Unfortunately, the discovery part is what the Google Zero moment is predicting will become the harshest reality for anyone trying to get a potential audience. While it’s still true that the value exchange is and always will be putting out great content and products and services (it’s arguably difficult for AI to yet do all three), an audience won’t magically find you. Playing the algorithm game is already more convoluted than playing the search engine game ever was (and I know — I was there from the beginning). What we have to hope for is improved curation, visibility through categorical aggregators, the human spirit of finding and elevating great work (using prominently used channels), and hoping that the future holds something to recalibrate the Internet’s search-ability in a way that yields back discovery and connection to the biggest and smallest of what we’ve created. It might very well be that some form of an AI browser will do just that, but I’d rather it be through something more... human.


Brutal, but absolutely on point mixed media work by Thomas Doyle (nice aggregation by Colossal). This kind of tech takeover has been done over the years, but in the medium of faux-antiquated sculptures, it hits differently.

(image via Colossal)

Miniature sculpture artwork depicting a person in a toga looking at a phone device that is piercing their entire face.

A genuinely hopeful take from Greg Storey on the malaise we all are (likely) feeling.

The late-70s malaise birthed MTV, punk, hip-hop, Silicon Valley, and the personal computer revolution. The Depression birthed New Deal reforms, the jazz golden age, and the technological leaps of wartime innovation. The 1890s gloom birthed the Progressive Era, Art Nouveau, and entirely new ways of thinking about society and power.


Hyland Lake Park Reserve.

A body of water is covered with patches of algae and floating vegetation.

A rewatch of Laloux’s Fantastic Planet (1973) re-establishes — in my mind — its boundless inventiveness and vision. It also operates as an historic spiritual precursor to the Scavengers Reign series, which was unjustly cancelled by both HBO Max and Netflix.


Brian Eno:

I remember an early review of one of my ambient records saying something like “No song, no beat, no melody, no movement”—and they weren’t being complimentary. But I think they were accurate, because this is a music of texture and sonic sensuality more than it is any of those things they were alluding to. I’m sure when the first abstract paintings appeared, people said, “No figure, no structure,” etc.… The point about melody and beat and lyric is that they exist to engage you in a very particular way.


This is awesome - a local pop-up focused on renting DVDs/Blu-rays the old fashioned way. Streaming fatigue and generational malaise with current media consumption options was always going to prompt an inevitable comeback of physical media. I already brought my old DVD collection to the new house!


Phenomenal retrospective on the building of Alien Isolation by the newly reformed Game Informer magazine (subscriber-only article, but so far worth it to support solid gaming journalism). I love that the devs made a rule: “nothing can go into Isolation that couldn’t be made on [Ridley] Scott’s set.”


Cool discovered (or re-discovered?) use of the 8BitDo’s Micro controller. John Voorees extrapolates on the find and expanding its use. Apparently the trick is to use 8BitDo’s app, and it has endless potential across system- and app-level key automation. This was already an awesome controller


Stock Pot has a ridiculously wonderful project to recreate physical media with NFCs akin to an old VHS player. I don’t have the ambition to follow these instructions, but as someone who recently has turned to picking up new Blu-rays of films to return to the watching ritual, this has appeal.


Just discovered this post-war architectural collective of “buildings inspired by pyramids and mastabas that rise above the sandy, green expanse of a former farm” just outside the French Mediterranean coastline.

Allegedly architect Jean Balladur’s work (officially titled La Grande Motte) was disparaged as architectural pollution, but this looks anything but. It’s got that dreamy mid century flavor of futurism, and stark contrast with the surrounding green landscapes is catnip for aesthetics.


Palmer’s knew how to describe a proper bar:

A church for down and outers and those who romanticize them, a rare place where high and low rub elbows—bums and poets, thieves and slumming celebrities.

We’ll see if this news turns around, but if it doesn’t, we lose a real one in September. (A 20% decline in sales, but full attendance for live music doesn’t exactly seem like enough to tank a 119-year old bar.)


Nice Steve Carell interview from a while back (when the US version of The Office wrapped), with commentary on Chicago vs everyone, careers, tv/film production, marriage, and facial comedy:

If I start deconstructing my face or what I’m doing, I think I’m in jeopardy of becoming way too self-aware. I never want to go to the mirror and start practicing expressions. You don’t practice them in real life—you just respond to things. To practice how you would look if someone ran over your foot is silly.


NYT piece on the breadth of Hmong food (gift link) we have here in Minnesota, particularly highlighting the two big restaurants, Vinai and Diane’s Place. The author also sprinkles in historical context of the Hmong in arriving here.

Purple rice and galabaos are where it’s at.


CW&T have been on a roll lately with a few up cycled products, and their latest — the HELIX_BALL_DROP_TESTER_V17 — is dialed into their time theme, using imperfect materials from the Time Since Launch device. The inconsistencies in the time it takes the ball to descend from iteration to iteration is also interesting; perhaps, the point being, it is your own custom measurement of time for an activity, like breath work, meditation, a pause from work, a moment to gather yourself.


An updated Skyline wallpaper collection from Basic Apple Guy was released today, and looking nice. Was sporting one from last month and I’ve been enjoying the colors, will upgrade to this!


Snapped through some fresh pull-tabs in a farewell tour of sorts to my area of St. Paul (Halftime Rec and Gabe’s, farewell for a while — I’ll be back).

Also: a fairly substantial update to the pull-tabs library.

A pile of opened pull-tab tickets is scattered on a wooden surface.

Crazy this side operation out of Coudal Partners has been going on for 20 years, but Field Notes branded notebooks are still as joyful as they’ve been when Aaron Draplin first ideated the concept. Quality stuff.

Funny enough, during my recent move I unearthed a treasure trove of these things.

A notebook page shows handwritten notes about a movie event, including a ticket stub for Bridge Over Riv dated 11/15/2010.

The new nearby Mexican spot is high on vibes (you know, one of those places with every chair and booth painted with a scene), and so-so on execution, but it’ll do. Al pastor tacos pair well enough with their habanero salsa.


“Anything that lasts 10 years, 20 years, it has to be new. And most of those are not received well at the start.”

This interview is funny because yes, Death Stranding 1 received mixed reviews upon release, but has since been held in very high regard as a completely new experience (albeit spiritual success to Metal Gear).

It’s okay for its sequel to be anticipated and even praised ahead of time — continued success is a good thing for a videogame studio, but I get what Kojima is after: he wants his art to be off-kilter to provide something fresh, which is hard to do. We can only hope Death Stranding 2 can be both experimentally wild (what a true fanbase is hoping for anyway), while simultaneously yielding blockbuster revenues.


Whenever I reload on Uber gift cards at either 20% or 25% off at Costco, it feels like a system hack. I don’t know how they arranged that deal, but it’s unfathomable free money (if you use Uber/Eats a lot).


Big move coming up. Am I one of the few who consider themselves moving enthusiasts? Yes. Organizing, packing, labeling, checklisting, and placing objects in optimal paths for trafficking this shit out of a house is high on my dopamine hits.